SKU: 40024120608

Ember Glyph

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Description

Ember GlyphOriginal Design by Tracy Porter Made in the USA The printed work of art is a true representation of the artist's intended style and technique, often incorporating an implied definition or graininess to evoke a particular mood or aesthetic. Each product is made to order. All Sales Final: No Returns, Exchanges or Refunds. Paper Print: Premium gicle print on museum quality archival fine art matte paper, which captures every nuance and detail of the

Original Design by Tracy Porter

Made in the USA

The printed work of art is a true representation of the artist's intended style and technique, often incorporating an implied definition or graininess to evoke a particular mood or aesthetic.

Each product is made-to-order. All Sales Final: No Returns, Exchanges or Refunds.

Paper Print: Premium giclée print on museum-quality archival fine art matte paper, which captures every nuance and detail of the original piece with stunning clarity, with an additional 1" border added to the dimensions.

Loose Canvas: Premium giclée print on museum-quality archival fine art canvas using high-quality archival inks

  • Museum-quality canvas material for beautiful, rich color and texture
  • 1" white border is added to each side of the printed image
  • Delivered unmounted and rolled

Wrapped Canvas: Premium giclée print on museum-quality archival fine art canvas using high-quality archival inks, gallery-wrapped over a wooden frame.

  • 1½" deep
  • Mirrored Image Wrap
  • Includes hanging hardware attached and ready to hang

Framed Print: Framed Print: Premium giclée print on museum-quality archival fine art matte paper in a wood frame with kraft paper dust cover backing, 1", 2" or no mat (in black or white). Includes optical grade acrylic glass and hanging hardware, attached and ready to hang. Available in 8 different styles:

A: 7/8" w x 7/8" deep in Black, White or Natural Oak Frame

B: 2" w x 1 1/16 deep in Black with Gold

C: 3"w x 7/8" deep in Black with Gold

D: 1 1/8" w x 3/4" deep in two colors: black gold and black silver

E: 3" w x 1" deep barnwood driftwood in two colors: gray and white

F: 2 5/8" w x 1" deep in espresso gold

G: 3 1/4" w x 1 3/8" deep in copper

H: 3" w x 1 1/8" deep in gold

Your work of art will ship in 2-4 business days.



--- Art Description ---
This captivating abstract artwork features a harmonious blend of organic shapes in a sophisticated color palette of dusty rose, deep navy, terracotta, and olive green. Intricate white line patterns overlay these forms, creating a unique topographic texture and dynamic visual depth. Perfect for modern interiors seeking a touch of contemporary elegance and artistic flair.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 40024120608

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4.4 ★★★★★
Based on 25 reviews
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TMB
Natrona Heights, US
★★★★★ 5
OBSESSED!!!!!
Format: Paperback, Format: Paperback
I gave it 5 stars because it deserves the flowers. I do wish the paper was a little better quality. I think it would help make the pictures pop more. Regardless, this book is worth every penny. I haven't found anything else like it. The book is clear, concise, and isn't bogged down with too many details - just the facts m'am. It's a perfect starting reference to send someone down 101 different rabbit holes. I hope someday he puts out a hardback version on thick, slick paper with beautiful, glossy photographs. That would be lovely. For now, this will more than suffice. You get just enough about each artifact to get you going. From there, you can decide how to use your favorite search engine.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2025
A
Verified Purchase
allison
San Leandro, US
★★★★★ 5
A great reference for Biblical factual archeology
Format: Paperback
I just received this book and I am so excited. It is a great tool and reference for Biblical studies. Each artifact has a great photograph next to the quick eye catching dates, discovery, period, keywords and Biblical passage. Then a brief but to the point description. It is simple and effective. Very easy to refer when reading your Bible or if you are just interested in archeology. Each artifact is about 2 pages and nothing more which is perfect for references. What a great book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 1, 2025
S
Verified Purchase
sandyrouse
Lexington, US
★★★★★ 5
Excellent and in-depth archeologic finds that authenticate Bible history.
Format: Paperback
Archeology is proving much of the Bible's history as true. This book really delves into various sites and provides a lot of detail. My type of reading.
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Reviewed in the United States on February 21, 2026
A
Verified Purchase
Angie Criss
San Leandro, US
★★★★★ 5
Great information and pictures
Format: Paperback
Great information on Biblical sites, beautiful pictures, and a pretty book as well. I gave several of these to my family for Christmas. Everyone seemed to love them. The only thing I will caution you about is that the book is small.
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Reviewed in the United States on January 22, 2026
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Verified Purchase
Mareadas
Draper, US
★★★★★ 4
Knowledgeable and delectable book.
Format: Paperback
This book shows an excellent archaeological evidence of the Bible accuracy of places, names, events, etc. and proving for the Christians that the Bible is a historical document as well as the inspired inerrant word of God. The majority of the book is interesting and delectable, I mean, the pages where the author presents archaeological facts such as the artifacts and their correlation with people, places times, events and practices recorded in the Bible. But I do not like when the author make personal assumptions and do not present any proof of that. He says: it probably be…. it may be… Here I show three cases of this conjectures;: 1.The author seems to affirm that the triumphal entry of Jesus into Jerusalem, or at least, the name of this event, was derived from the Roman triumph celebration. He says (page 231), regarding to the Roman Empire and the life of Jesus: “By the time of Jesus, the requirements and meaning of a triumphal entry had shifted slightly from its earlier roots associating it with a conquering hero, as it became even more significant and representative of kingship and divinity”. He continues to say: “In ancient Roman culture, a triumphant victor, known as vir triumphalis (“man of triumph”) would enter the city in a celebration parade wearing the laurel wreath and a purple garment, which identified him with the royal and the divine, while riding in a chariot pulled by four horses, alluding to Sol the sun god”.  But if we compare the Roman triumph celebration with the entry of Jesus into Jerusalem described in the Bible, it is not derived from the Roman culture but is the exact fulfillment of the prophesy of Zechariah 9:9. I do not see any correlation between the two celebration; Jesus did not ride a horse but a donkey to signify peace, meekness and humility. It was not a pompous entrance of a conquering hero or king wearing a expensive garment and royal crown. 2.Even though, it is not possible to identify the location of the tomb of Jesus with absolute certainty; the author states (page 199) that the tomb of Jesus is located at the Church of the Holy Sepulchre possible based on “the restoration work to the edicule and an arcosolium tomb from the Roman period found in the church of the Holy Sepulchre”. The author also affirms without giving any proof that: “Christians in Jerusalem then passed down a continuous memory of the location of the tomb (of Jesus) from the time of the burial and resurrection in AD33 until construction of the Church of the Holy Sepulchre was started in about AD326”. But where are the records of that time? The author probably based his statement on Eusebius who lived in the 3rd and 4th centuries AD. According to the history , the Church of the Holy Sepulchre was built by the Roman Emperor Constantine around 326 AD, when her mother the Queen Helena, wanted to replace the pagan temples with Christian churches; she met the Bishop Macarious of Jerusalem who determined the location where Jesus had been buried at the place where was a temple to the Greek goddess Venus. At the beginning of the construction of the church, a rock-cut tomb was found there and an edicule was built to protect the site. But later the edicule was destroyed and rebuild. More tombs has been found under this church. How to be sure or verify that this rock-cut tomb was the one where Jesus was buried? 3.The author is biased with respect to the Masoretic Text, he make a statement but does not support it with any evidence in this regard. Writing about the Dead Sea Scrolls (Page 173) he states: “And certain passages in the Masoretic text seem to have been intentionally modified to match ideas and theology of medieval Judaism.” it is a bad accusation.
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Reviewed in the United States on April 23, 2021

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